Sign-Interpreted and Captioned Events at the Kennedy Center

Concerts for Young People by Young People, Classical Series with Niv Ashkenazi, Emerald Quartet, and Kristina Winiarski

Millennium Stage in the Terrace Theater

Sign-Interpreted & Captioned: Wednesday, February 2 at 6:00 PM

Classical violinist Niv Ashkenazi, winner of the 2010 American Protege International Piano and Strings Competition, had his Carnegie Hall debut at the Weill Recital Hall in March 2010. Mr. Ashkenazi has won numerous competitions including the Culver City Symphony Orchestra Concerto Competition. Mr. Ashkenazi was also the recipient of the 2007 VSA International Young Soloists Award.

Concerts for Young People by Young People, Non-Classical Series with The Ransom Notes, Leo Manzari, and Amy K. Bormer

Millennium Stage in the Terrace Theater

Sign-Interpreted & Captioned: Friday, February 4 at 6:00 PM

The Ransom Notes, a group of talented young musicians from Denver blend Classical, Celtic, Bluegrass, and Gospel music in a way like no other. At 22, Amanda plays violin/fiddle, mandolin, guitar and provides vocals for the group. Michael is 18 and primarily plays the cello (an instrument unique to the world of bluegrass music), as well as a little mandolin, and also adds his fair share of vocals to each performance. The youngest member of the trio, 16 year old Amelia, plays violin/fiddle, mandolin, guitar, and a host of other instruments. They recently performed on Capitol Hill as part of the 2010 International VSA Festival.

Scott MacIntyre

Millennium Stage

Sign-Interpreted & Captioned: Saturday, February 5 at 6:00 PM

Since captivating the nation as a finalist on Season 8 of American Idol, singer-songwriter Scott MacIntyre, a 2008 VSA International Young Soloist Award recipient, has continued his successful career trajectory.

Druid: The Cripple of Inishmaan

Eisenhower Theater

Captioned: Friday, February 11 at 7:30 PM

Famed Irish theater company Druid and New York’s Atlantic Theatre present The Cripple of Inishmaan, written by Academy Award winner Martin McDonagh and directed by Tony Award winner Garry Hynes, the first woman to win a Tony Award for Best Direction. Set in rural Ireland in 1934, this dark comedy depicts the impact that a Hollywood film crew has over the local residents when it shows up to document the tiny island of Inishmore. When a young, orphaned “cripple” named Billy Claven is selected for a part in the film, his dreams of escape take flight.

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Vaginal Flagyl and Alcohol – Do Not Mix

As a rule of thumb, it is always not an advice to take alcoholic beverages while you are taking medications. If you are asked by your doctor to take flagyl, you should never combine vaginal flagyl and alcohol during the course of the treatment. So far, there has been no solid proof that alcohol can indeed do dangerous side effects when combined with flagyl because there has been no sufficient studies that can support this. However, it has been known that alcohol can magnify the potential side effects of the drug because it will make the liver work harder to eliminate the substances from the body, and this can delay the process of alcohol is taken. Once you are on the process of treatment, you should never take vaginal flagyl and alcohol together. Read more…

Pain Relief with Tramadol 50mg

Every human feels pain during his lifetime. There are different types of pain but they all can be alleviated. A lot of pain medications are available on the market now and it may be hard to choose among all this diversity. If you experience pain and it’s difficult for you to choose a drug, we advise you to try Tramadol. Tramadol is a medication used to ease intense pain. It is approved by the FDA which means it is a safe and effective type of medicine.

 

imagesTramadol is prescribed for people who experience violent pain. It changes the pain perception of the body. Tramadol 50 mg is the perfect solution for older people who have osteoarthritis, renal colic, or painful trauma. There are two types of Tramadol tablets: a simple pill and a long-acting tablet. Long-acting pill provides a more prolonged reduction in pain, but it may be contraindicated for some people. Consult your health care provider for more information. You should take one long-acting Tramadol pill per day with food. Simple Tramadol 50 mg pills are taken every 5 hours regardless of food.
Tramadol hcl is a pretty strong medicine, so you should be careful and follow the instructions on the prescription label. Improper use of the drug can cause different dangerous side effects. It can also be habit-forming. Contact the doctor if your mood swings. It may be the sign of the beginning of dependence.

Read more…

Tadalafil – Branded or Generic?

Erectile dysfunction (ED) is easily the worst woe that a man will ever encounter as he no longer has the capacity to please both himself and his partner.  Fortunately, ED medications are aplenty with tadalafil being the most popular amongst couples.  However, when it comes to buying ED medications, is it better to go for branded or generic?

If you are not familiar with generic drugs, the name that identifies a generic drug is usually the active ingredient that the treatment has.  For generic tadalafil, it means that tadalafil is the active ingredient of the drug.  Usually, generic drugs are derived from branded drugs, the likes that had spent a lot of money in the research and development of the medication.  Normally, they are given several years of rights as sole maker and distributor of the drug to make up for the cost of the drug’s R&D.  In the case of generic tadalafil, it is Eli Lilly that did research as well as manufacturing of the drug Cialis – the branded version of generic tadalafil.  Like all drugs though, no manufacturer has sole rights to the making and distribution of the medication for a very long time which is why the ingredients used in the making of the drug are released and generic drug manufacturers are able to copy them and resell the drug for their own, provided of course they pay royalty as well as sell the drug only as generic in name. Read more…

Freedom

I was “birthed” into the world of yoga through the Iyengar style where precision and alignment are emphasized. My teacher would adjust our poses starting from our pinky toe (literally – she’d have us lift it up and try to spread it away from our other toes) all the way to the tops of our heads (which, she would tell us, should be lifting toward the ceiling, as if a string was attached to our scalp and someone was pulling).

I’m one of those follow the rules, read the directions, life is in the details type of girls, so I ate Iyengar yoga up. The fact that my hamstrings are tight, my shoulders are scrunched, and my hips are narrow make Iyengar a fitting practice because I benefit so greatly from the blocks and straps and blankets that are generously encouraged in that style of practice to help with proper positioning.

From time to time I’ve experimented with other yoga styles – this article describes various kinds – and recently I found myself in a session where the teacher was leading a flow with pretty much no regard to form whatsoever.

At first I was distraught.

“Beautiful!” the yoga teacher said when I moved into Virabhadrasana II (Warrior II).

“Oh, yeah, right,” I thought to myself.

In an Iyengar class, the instructor is always adjusting my Warrior II pose. I’m like a toy where you push one section in and another section pops out. If she moves my left thigh, my right knee tweaks to a different place. If she tilts my pelvis, my arms plummet. If she tells me where to fix my gaze – whoops – there goes my thigh again.

Anyway, I realized pretty quickly that I didn’t want to spend the entire practice mentally upset that this yoga teacher wasn’t going to focus on form. Other than calling out the pose, she was giving no instructions, and deep inside I knew that was okay. Because yoga really isn’t about form. Not at its core. It’s about being in a present state of mind. Finding a place where I’m not worrying about the future or obsessing over the past, even if those thoughts relate to yoga itself. As I continued the flow, I let go of the details and the precision and simply enjoyed the movement.

I felt warm and flexible and free.

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